{"url":"https://arata.hatenablog.com/entry/20100323/p1","published":"2010-03-23 00:00:00","width":"100%","author_name":"Arata","blog_url":"https://arata.hatenablog.com/","version":"1.0","provider_url":"https://hatena.blog","image_url":null,"author_url":"https://blog.hatena.ne.jp/Arata/","provider_name":"Hatena Blog","title":"\u5199\u771f\u306e\u6563\u7a2e\u306e\u6563\u3057","html":"<iframe src=\"https://hatenablog-parts.com/embed?url=https%3A%2F%2Farata.hatenablog.com%2Fentry%2F20100323%2Fp1\" title=\"\u5199\u771f\u306e\u6563\u7a2e\u306e\u6563\u3057 - NEUE\" class=\"embed-card embed-blogcard\" scrolling=\"no\" frameborder=\"0\" style=\"display: block; width: 100%; height: 190px; max-width: 500px; margin: 10px 0px;\"></iframe>","blog_title":"NEUE","categories":["photo"],"type":"rich","description":"\u6765\u9031\u306b\u958b\u50ac\u3055\u308c\u307e\u3059\u7814\u7a76\u4f1a\u306e\u30c1\u30e9\u30b7\u3092\u4f5c\u6210\u3057\u307e\u3057\u305f\u306e\u3067\u3001\u3072\u3068\u307e\u305a\u30a6\u30a7\u30d6\u4e0a\u306b\u6563\u7a2e\u3057\u307e\u3059\u3002 \u30c1\u30e9\u30b7\u3010pdf\u6ce8\u610f\uff01\u3011 \u307e\u305f\u3001\u7814\u7a76\u767a\u8868\u306e\u30bf\u30a4\u30c8\u30eb\u3082\u51fa\u63c3\u3044\u307e\u3057\u305f\u306e\u3067\u544a\u77e5\u3057\u3066\u304a\u304d\u307e\u3059\u3002 \u7814\u7a76\u767a\u8868 16:15\u301c17:30 Constellation and Nebulosity: Aspects of realism in \"the Natori-Tomatsu dispute\" \u6797\u7530\u65b0\uff08HAYASHIDA Arata\uff09\uff08\u540c\u5fd7\u793e\u5927\u5b66\u5927\u5b66\u9662\uff09 The Camera's eye and Eyelashes: Avant-garde film and photography of the 1920s \u8abf\u6587\u660e\uff08SHIR\u2026","height":"190"}