{"title":"\u82f1\u8a9e\u7248\u9023\u8f09\u305d\u306e\uff14\u3000English version\u300e\u6751\u4e0a\u6625\u6a39\u306e\u733f\u3000\u7363\u3068\u5ac9\u59ac\u3068\u8b0e\u306e\u6b7b\u306e\u7cfb\u8b5c\u300f\u6d66\u6f84\u5f6c\u3000\u7b2c\uff12\u7ae0","categories":["\u82f1\u8a9e\u30d0\u30fc\u30b8\u30e7\u30f3\u9023\u8f09"],"blog_title":"HIN.URAZUMI'ROOM","author_url":"https://blog.hatena.ne.jp/doiyutaka/","image_url":"https://cdn-ak.f.st-hatena.com/images/fotolife/d/doiyutaka/20150423/20150423144148.jpg","height":"190","type":"rich","provider_url":"https://hatena.blog","published":"2026-04-21 17:28:16","author_name":"doiyutaka","provider_name":"Hatena Blog","width":"100%","blog_url":"https://doiyutaka.hatenadiary.org/","version":"1.0","description":"\u82f1\u8a9e\u7248\u9023\u8f09\u305d\u306e\uff14 English version\u300e\u6751\u4e0a\u6625\u6a39\u306e\u733f \u7363\u3068\u5ac9\u59ac\u3068\u8b0e\u306e\u6b7b\u306e\u7cfb\u8b5c\u300f\u6d66\u6f84\u5f6c \u7b2c\uff12\u7ae0 \u203b\u524d\u6bb5\u7b2c\uff11\u7ae0\uff08\u305d\u306e\uff12\uff09https://doiyutaka.hatenadiary.org/entry/2026/04/20/194936 Chapter 2: The Case of \"Hear the Wind Sing\" In the previous section, I proposed the deduction that the \"monkey/beast\" motif flickering throughout Murakami\u2019s early Trilogy shares a\u2026","url":"https://doiyutaka.hatenadiary.org/entry/2026/04/21/172816","html":"<iframe src=\"https://hatenablog-parts.com/embed?url=https%3A%2F%2Fdoiyutaka.hatenadiary.org%2Fentry%2F2026%2F04%2F21%2F172816\" title=\"\u82f1\u8a9e\u7248\u9023\u8f09\u305d\u306e\uff14\u3000English version\u300e\u6751\u4e0a\u6625\u6a39\u306e\u733f\u3000\u7363\u3068\u5ac9\u59ac\u3068\u8b0e\u306e\u6b7b\u306e\u7cfb\u8b5c\u300f\u6d66\u6f84\u5f6c\u3000\u7b2c\uff12\u7ae0 - HIN.URAZUMI&#39;ROOM\" class=\"embed-card embed-blogcard\" scrolling=\"no\" frameborder=\"0\" style=\"display: block; width: 100%; height: 190px; max-width: 500px; margin: 10px 0px;\"></iframe>"}