{"html":"<iframe src=\"https://hatenablog-parts.com/embed?url=https%3A%2F%2Ffiderio2.hatenadiary.org%2Fentry%2F20070720%2F1184906431\" title=\"\u30d4\u30c3\u30c1\u3068\u30ea\u30ba\u30e0\u306e\u96c6\u5408\u4f53 - \u30c6\u30af\u30b9\u30c8\u793c\u8b83\" class=\"embed-card embed-blogcard\" scrolling=\"no\" frameborder=\"0\" style=\"display: block; width: 100%; height: 190px; max-width: 500px; margin: 10px 0px;\"></iframe>","published":"2007-07-20 13:40:31","version":"1.0","provider_name":"Hatena Blog","url":"https://fiderio2.hatenadiary.org/entry/20070720/1184906431","provider_url":"https://hatena.blog","blog_title":"\u30c6\u30af\u30b9\u30c8\u793c\u8b83","author_url":"https://blog.hatena.ne.jp/fiderio2/","width":"100%","height":"190","image_url":null,"categories":["\u25a0\uff83\uff78\uff89\uff78\uff72\uff70\uff9d\u304a\u3059\u3059\u3081\u97f3\u697d\u25a0"],"blog_url":"https://fiderio2.hatenadiary.org/","author_name":"fiderio2","title":"\u30d4\u30c3\u30c1\u3068\u30ea\u30ba\u30e0\u306e\u96c6\u5408\u4f53","type":"rich","description":"\u300c\u30d0\u30c3\u30cf\u306e\u97f3\u697d\u306b\u3064\u3044\u3066\uff65\uff65\uff65 \u300c\u30d4\u30c3\u30c1\u3068\u30ea\u30ba\u30e0\u306e\u96c6\u5408\u4f53\u3067\u3042\u308a\uff0c\u6f14\u594f\u306b\u304a\u3044\u3066\u78ba\u5b9a\u3057\u305f\u30ac\u30a4\u30c9\u30e9\u30a4\u30f3\u304c\u306a\u3044\u304b\u3089\u3060\u300d\u3068\u30b0\u30fc\u30eb\u30c9\u306f\u8a9e\u3063\u305f\u3002\u300d Kevin Bazzana, Glenn Gould: The Performer in the Work (Toronto: Oxford University Press, 1997. \u2015 \u2015\u90a6\u8a33\uff1a\u30b1\u30f4\u30a3\u30f3\u30fb\u30d0\u30b6\u30fc\u30ca\u300e\u30b0\u30ec\u30f3\u30fb\u30b0\u30fc\u30eb\u30c9\u6f14\u594f\u8853\u300f\uff0c\u30b5\u30c0\u30b3\u30fb\u30b0\u30a8\u30f3\u8a33\uff08\u767d\u6c34\u793e\uff0c2000 \u5e74\uff09"}