{"url":"https://m-tz-1.hatenadiary.org/entry/20140718/p1","type":"rich","version":"1.0","provider_url":"https://hatena.blog","height":"190","author_name":"m-tz-1","description":"Global structural feature of Musica ricercata is confines to only certain pitch classes in each movement, with each subsequent movement having exactly one more pitch class than the last. I: A, D - II: E\u266f, F\u266f, G - IV: A, B\u266d, F\u266f, G, G\u266f - VII: A\u266d, A, B\u266d, C, D, E\u266d, F, G","author_url":"https://blog.hatena.ne.jp/m-tz-1/","categories":[],"published":"2014-07-18 00:00:00","provider_name":"Hatena Blog","title":"\u3000Gy\u00f6rgy Ligeti: Musica ricercata (1951-53), excerpts","blog_url":"https://m-tz-1.hatenadiary.org/","html":"<iframe src=\"https://hatenablog-parts.com/embed?url=https%3A%2F%2Fm-tz-1.hatenadiary.org%2Fentry%2F20140718%2Fp1\" title=\"\u3000Gy\u00f6rgy Ligeti: Musica ricercata (1951-53), excerpts - \uff3b\u8b1b\u7fa9\u7528 \u8cc7\u6599\uff3d\" class=\"embed-card embed-blogcard\" scrolling=\"no\" frameborder=\"0\" style=\"display: block; width: 100%; height: 190px; max-width: 500px; margin: 10px 0px;\"></iframe>","width":"100%","image_url":null,"blog_title":"\uff3b\u8b1b\u7fa9\u7528 \u8cc7\u6599\uff3d"}