{"provider_url":"https://hatena.blog","published":"2019-08-23 17:01:30","author_name":"mclean_chance","provider_name":"Hatena Blog","type":"rich","author_url":"https://blog.hatena.ne.jp/mclean_chance/","blog_url":"https://mclean-chance.hatenadiary.com/","height":"190","categories":["jazz critique"],"url":"https://mclean-chance.hatenadiary.com/entry/2019/08/23/170130","width":"100%","html":"<iframe src=\"https://hatenablog-parts.com/embed?url=https%3A%2F%2Fmclean-chance.hatenadiary.com%2Fentry%2F2019%2F08%2F23%2F170130\" title=\"\u30c7\u30e5\u30aa+\u30c9\u30e9\u30e0\u3068\u3044\u3046\u30b3\u30f3\u30bb\u30d7\u30c8\u3067\u3059\u306d\u3002 - mclean-chance\u306e\u300cLove Cry\u300d\" class=\"embed-card embed-blogcard\" scrolling=\"no\" frameborder=\"0\" style=\"display: block; width: 100%; height: 190px; max-width: 500px; margin: 10px 0px;\"></iframe>","description":"Paul Bley,Gary Peacock,Paul Motian\u300eWhen Will The Blues Leave(ECM) Personnel; Paul Bley(p), Gary Peacock(b), Paul Motian(drms) recorded at AulaMagna,Trevano, Lugano,Switzerland in March 18,1999 \u30dd\u30fc\u30eb\u30fb\u30d6\u30ec\u30a4\u3002 \u30dd\u30fc\u30eb\u30fb\u30d6\u30ec\u30a4\u306f\u3001\u30ab\u30ca\u30c0\u51fa\u8eab\u306e\u30b8\u30e3\u30ba\u30d4\u30a2\u30cb\u30b9\u30c8\u3067\u30012016\u5e74\u306b\u4ea1\u304f\u306a\u308a\u307e\u3057\u305f\u304c\u3001\u672c\u4f5c\u306f\u3001ECM\u304b\u3089\u51fa\u3055\u308c\u305f\u3001\u300eNot Two,Not One\u300f\u306e\u30c8\u30ea\u30aa\u306b\u3088\u308b\u3001\u30e9\u30a4\u30d6\u9332\u97f3\u3067\u3057\u3066\u3001\u30a2\u30eb\u30d0\u30e0\u9332\u97f3\u306e\u7fcc\u6708\u306e\u2026","blog_title":"mclean-chance\u306e\u300cLove Cry\u300d","image_url":"https://cdn-ak.f.st-hatena.com/images/fotolife/m/mclean_chance/20190823/20190823165827.jpg","version":"1.0","title":"\u30c7\u30e5\u30aa+\u30c9\u30e9\u30e0\u3068\u3044\u3046\u30b3\u30f3\u30bb\u30d7\u30c8\u3067\u3059\u306d\u3002"}