{"published":"2013-02-02 00:00:07","description":"http://www.artlies.org/article.php?id=1882&issue=65&s=1 \u25c7 Ruptures and Continuities: Photography Made after 1960 from the MFAH Collection - Houston art - Examiner.com As part of the FotoFest 2010 Biennial, this exhibition examines, on a global scope, the course of post-1960 photography. Nearly 200 i\u2026","image_url":null,"blog_title":"\u00dcbungsplatz\u3014\u7df4\u7fd2\u5834\u3015","blog_url":"https://n291.hatenablog.com/","categories":[],"version":"1.0","type":"rich","title":"Ruptures and Continuities: Photography Made after 1960 from the MFAH Collection by Erin Kimmel - ART LIES: A Contemporary Art Quarterly","height":"190","author_url":"https://blog.hatena.ne.jp/n-291/","provider_url":"https://hatena.blog","url":"https://n291.hatenablog.com/entry/20130202/p9","provider_name":"Hatena Blog","width":"100%","html":"<iframe src=\"https://hatenablog-parts.com/embed?url=https%3A%2F%2Fn291.hatenablog.com%2Fentry%2F20130202%2Fp9\" title=\"Ruptures and Continuities: Photography Made after 1960 from the MFAH Collection by Erin Kimmel - ART LIES: A Contemporary Art Quarterly - \u00dcbungsplatz\u3014\u7df4\u7fd2\u5834\u3015\" class=\"embed-card embed-blogcard\" scrolling=\"no\" frameborder=\"0\" style=\"display: block; width: 100%; height: 190px; max-width: 500px; margin: 10px 0px;\"></iframe>","author_name":"n-291"}