{"provider_name":"Hatena Blog","width":"100%","html":"<iframe src=\"https://hatenablog-parts.com/embed?url=https%3A%2F%2Fn291.hatenablog.com%2Fentry%2F20161227%2Fp2\" title=\"Decoding Baltz&#39;s Prototypes - \u00dcbungsplatz\u3014\u7df4\u7fd2\u5834\u3015\" class=\"embed-card embed-blogcard\" scrolling=\"no\" frameborder=\"0\" style=\"display: block; width: 100%; height: 190px; max-width: 500px; margin: 10px 0px;\"></iframe>","author_name":"n-291","url":"https://n291.hatenablog.com/entry/20161227/p2","provider_url":"https://hatena.blog","version":"1.0","type":"rich","blog_url":"https://n291.hatenablog.com/","categories":[],"author_url":"https://blog.hatena.ne.jp/n-291/","title":"Decoding Baltz's Prototypes","height":"190","published":"2016-12-27 00:00:01","image_url":null,"description":"Decoding Baltz's Prototypes Britt Salvesen, curator and head, Wallis Annenberg Photography Department and prints and drawings department, Los Angeles County Museum of Art. In his Prototypes series of photographs, Lewis Baltz represented the built environment of the 1960s and 1970s. He critiqued mode\u2026","blog_title":"\u00dcbungsplatz\u3014\u7df4\u7fd2\u5834\u3015"}