{"title":"\u6c11\u65cf\u8a8c\u5bb6\u3068\u3057\u3066\u306e\u82b8\u8853\u5bb6","published":"2006-04-07 00:00:00","provider_url":"https://hatena.blog","height":"190","description":"\u25a0\u6765\u9031\u304b\u3089\u6388\u696d\u304c\u59cb\u307e\u308b\u304c\u3001\u8aad\u307f\u305f\u3044\u6587\u732e\u306f\u3042\u308b\u304b\u3068\u805e\u304b\u308c\u305f\u306e\u3067\u3001\u3060\u3081\u3082\u3068\u3067\u30d5\u30a9\u30b9\u30bf\u30fc\u306e\u6587\u732e\u3092\u5fa1\u63a8\u85a6\u3059\u308b\u3002The Return of the Real: Art and Theory at the End of the Century (October Books)\u4f5c\u8005: Hal Foster\u51fa\u7248\u793e/\u30e1\u30fc\u30ab\u30fc: The MIT Press\u767a\u58f2\u65e5: 1996/09/25\u30e1\u30c7\u30a3\u30a2: \u30da\u30fc\u30d1\u30fc\u30d0\u30c3\u30af\u8cfc\u5165: 1\u4eba \u30af\u30ea\u30c3\u30af: 1\u56de\u3053\u306e\u5546\u54c1\u3092\u542b\u3080\u30d6\u30ed\u30b0 (2\u4ef6) \u3092\u898b\u308b\u3068\u304f\u306b\u7b2c\u516d\u7ae0\u300cThe Artist as Ethnographer\u300d \u30af\u30ea\u30d5\u30a9\u30fc\u30c9\u306e\u300c\u6c11\u65cf\u8a8c\u7684\u30b7\u30e5\u30eb\u30ec\u30a2\u30ea\u30b9\u30e0\u300d\u306e\u8b70\u8ad6\u3092\u8e0f\u307e\u3048\u3064\u3064\u3001\u5f53\u6642\u306e\u30a2\u2026","author_name":"shirime","image_url":"https://images-fe.ssl-images-amazon.com/images/I/41EXzR2fqcL._SL160_.jpg","provider_name":"Hatena Blog","type":"rich","width":"100%","version":"1.0","categories":[],"blog_url":"https://shirime.hatenadiary.org/","html":"<iframe src=\"https://hatenablog-parts.com/embed?url=https%3A%2F%2Fshirime.hatenadiary.org%2Fentry%2F20060407\" title=\"\u6c11\u65cf\u8a8c\u5bb6\u3068\u3057\u3066\u306e\u82b8\u8853\u5bb6 - k-bai\u306e\u65e5\u8a18\" class=\"embed-card embed-blogcard\" scrolling=\"no\" frameborder=\"0\" style=\"display: block; width: 100%; height: 190px; max-width: 500px; margin: 10px 0px;\"></iframe>","author_url":"https://blog.hatena.ne.jp/shirime/","url":"https://shirime.hatenadiary.org/entry/20060407","blog_title":"k-bai\u306e\u65e5\u8a18"}