{"categories":["music, movies"],"author_name":"Takorine_and","version":"1.0","blog_title":"Takorine_and\u2019s diary","type":"rich","html":"<iframe src=\"https://hatenablog-parts.com/embed?url=https%3A%2F%2Ftakorine-and.hatenablog.com%2Fentry%2F2025%2F12%2F10%2F215756\" title=\"Krystian Zimerman on &#39;Preludes &amp; Co (and Friends) \u2013 Artist Selection&#39; - Takorine_and\u2019s diary\" class=\"embed-card embed-blogcard\" scrolling=\"no\" frameborder=\"0\" style=\"display: block; width: 100%; height: 190px; max-width: 500px; margin: 10px 0px;\"></iframe>","author_url":"https://blog.hatena.ne.jp/Takorine_and/","provider_url":"https://hatena.blog","provider_name":"Hatena Blog","height":"190","width":"100%","description":"Krystian Zimerman on 'Preludes & Co (and Friends) \u2013 Artist Selection' //Summary - Level-B2// Krystian Zimerman explains the idea behind his new programme, Preludes & Co \u2013 Artist Selection. He questions the tradition of performing \u201ccomplete cycles\u201d, arguing that this habit comes from the recording in\u2026","blog_url":"https://takorine-and.hatenablog.com/","image_url":"https://cdn-ak.f.st-hatena.com/images/fotolife/T/Takorine_and/20251210/20251210215556.jpg","title":"Krystian Zimerman on 'Preludes & Co (and Friends) \u2013 Artist Selection'","published":"2025-12-10 21:57:56","url":"https://takorine-and.hatenablog.com/entry/2025/12/10/215756"}