{"blog_url":"https://yakumoizuru.hatenadiary.jp/","url":"https://yakumoizuru.hatenadiary.jp/entry/20040323/p1","type":"rich","title":"","provider_name":"Hatena Blog","version":"1.0","height":"190","image_url":null,"provider_url":"https://hatena.blog","categories":["book","book"],"html":"<iframe src=\"https://hatenablog-parts.com/embed?url=https%3A%2F%2Fyakumoizuru.hatenadiary.jp%2Fentry%2F20040323%2Fp1\" title=\" - \u4f5c\u54c1\u30e1\u30e2\u30e9\u30f3\u30c0\u30e0\" class=\"embed-card embed-blogcard\" scrolling=\"no\" frameborder=\"0\" style=\"display: block; width: 100%; height: 190px; max-width: 500px; margin: 10px 0px;\"></iframe>","author_name":"yakumoizuru","description":"\u2605\u300eCAHIERS DU CINEMA\u300fNo.588 MARS 2004, ROHMER \u2605Umbert Eco, Mouse or Rat?: Translation as negotiation (WEIDENFELD & NICOLSON, 2003) \u2605Daniel Barenboim + Edward W. Said, Parallels and Paradoxes: Explorations in music and society (edited and with a preface by Ara Guzelimian, Vintage, 2004) \u30b5\u30a4\u30fc\u30c9\u3068\u30d0\u30ec\u30f3\u30dc\u30a4\u30e0\u306e\u5bfe\u8a71\u2026","published":"2004-03-23 00:00:00","author_url":"https://blog.hatena.ne.jp/yakumoizuru/","blog_title":"\u4f5c\u54c1\u30e1\u30e2\u30e9\u30f3\u30c0\u30e0","width":"100%"}